The Simulacrum Series
Photo etching on paper
This series of variations explores issues of authenticity and uniqueness. Pints are often copies of originals and a simulacrum is an imitation of an original. I am interested here in creating a paradox where each image is an original while at the same time each is the same as the other seven copies or versions.
Screen print on paper
Tracing the Everyday is a series of screen prints using a doily that is further cut-out, plus a significant colour to create short runs of prints which recontextualise the everyday object and suggests a disassociation or incongruity.
Screen print and screen print plus inks
These works follow an interest in recognition and closure as we read images. In particular the uncertainty of suspending closure. In our technological age we are in inundated with images which we may often find have a certain unreliability and inconsistency.
Etching/chine colle, Lino/monoprint
These prints are a selected from a project where museum objects, places to put things and securing devises are used in printmaking as a kind of record with a focus on our preoccupation with keeping.
Monotype and moonoprint techniques
This is a selection work from my print projects exploring relationships between visual memory and the appropriation of old photographs, along with the addition of textures and mark-making to bring in other senses of memory.