News and current work

 

 

NEW BLOG

 

 

 

Simulacrum: An Artist's Residency

This new blog follows my current activity in printmaking while on artist's residency at the University of Suffolk

New page, Teaching, has been added with examples of personal artwork in painting, drawing and mixed media. Also examples of my teaching sketchbooks, student artwork and student sketchbooks.

Three pieces of work still on show at Kerseys Solicitors, Ipswich, included in the Art for Business scheme

 

Some project work developing ideas within printmaking as well as collage, and recording the progress are on my a-n artists talking blog:

Un-Fiction Snapshots etc

 

Steve Joyce

Placing

Photo etching on paper

 

This series of variations explores issues of authenticity and uniqueness.  Pints are often copies of originals and a simulacrum is an imitation of an original. I am interested here in creating a paradox where each image is an original while at the same time each is the same as the other seven copies or versions.

 

 

 

Tracing the Everyday

Screen print on paper

 

Tracing the Everyday is a series of screen prints using a doily that is further cut-out, plus a significant colour to create short runs of prints which recontextualise the everyday object and suggests a disassociation or incongruity.

 

 

 

Difference & Distraction

 

Screen print and screen print plus inks

 

These works follow an interest in recognition and closure as we read images.  In particular the uncertainty of suspending closure.  In our technological age we are in inundated with images which we may often find have a certain unreliability and inconsistency.

 

 

Reminding

Monotype and moonoprint techniques

 

This is a selection work from my print projects exploring relationships between visual memory and the appropriation of old photographs, along with the addition of textures and mark-making to bring in other senses of memory.

 

Retraining

Etching/chine colle, Lino/monoprint

              

These prints are a selected from a project where museum objects, places to put things and securing devises are used in printmaking as a kind of record with a focus on our preoccupation with keeping.

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© Steve Joyce Artist